I'll tell ya, if I wasn’t already feeling this way (I had my doubts that I'd last all day at this festival), it seemed this was a show that wanted to drive home to anybody over 23 that You.Are.Old. My first (pleasant) manifestation of that was the fact that since I was a parent to Stella and her friend, I got in free, more as an escort to my children and I was there to keep them safe. Well, that was true, but I still was interested in the music. After all, this was originally a punk/hardcore festival and I love punk/hardcore. But management assumed that, at 52, I had absolutely no interest in partaking of any of this music, that I will have written off all of it, and was probably grumbling about the heinous $45 ticket for bands I supposedly had no interest in seeing. But, I’m not just a mom here, kiddos. I’m a elderstateswoman and you just don’t know it. And I’m kind of sad that I can drop names/situations like “I interviewed John Doe and Exene back in ‘82” and “I photographed Henry Rollins back when he only had four tattoos” and “ I had dinner with Jello Biafra” -- and as Stella pointed out, “Mom, most of these people don’t know who they are.”
So, I played along, acted like I was bored while they inspected my ID to see that I was indeed older than the target demographic and was accompanied by two obvious teenagers, got my “escort” wristband, and sailed through the entry gate without paying a damn dime. Now that, motherfuckers, is punk.
It’s a good thing we left when we did, because the band Stella really wanted to see, Chiodos, was about to take the stage. “Go on,” I told her and Steven, who left their backpacks with me as they headed for the mosh pit. Oh, I’m your fucking valet now? When the hell did I agree to this? Well, I’ll check out this band, and search for the “Reverse Daycare” tent that, as a wristbanded parent, I had access to.
|Oh, Bender, you punk rebel, you.|
OK, Chiodos. Named for the special effects team of brothers who, among other things, directed Killer Klowns from Outer Space. I'm already liking the obscure reference. They (like half the bands on the bill) were termed “post-hardcore” which basically means hardcore punk, but not limited to always being fast and loud. Like many of the bands of this subgenre, they mess with time signatures, some of their vocalists actually sing sometimes (as opposed to always being screamo), and can often get anthemic. But they do inspire serious moshpit action, which means the demographic this festival is aimed at has a chance to just get all their pent up stuff out. It’s acceptable to push, scream, yell, and be part of a crowd. Chiodos understands this, and encourages this, oh, and they’re good at it. And also, like a lot of the bands here, they’re kind of rockstar about this, which actually, I liked. “HEY CHICAGO! WE’RE SO FUCKING GLAD TO BE HERE AGAIN! IF THIS IS YOUR FIRST WARPED TOUR, LEMME SEE YOUR YOUR HANDS!” They’re not too hipper-than-thou for this, and a big crowd appreciates it. Musically, they’re tight, fast, varied, and lead singer Craig Owens can actually sing, as he proved further in the “acoustic” tent. They signed merch and other stuff at an autograph tent later. We moved onto another post hardcore band, The Amity Affliction who, while not as popular/well known by this crowd, were just as good. I probably enjoyed them more because they had that American punk ethos of also being fun and sometimes funny. I even almost got pulled into the mosh pit, but declined to go through because a) I was wearing glasses and I know better than to do such a thing and b) once again, I was holding the kids’ backpacks like I was their damn valet. I needed to get out of this.
|Stella meets a hardcore singer|
|Alvarez Kings looking for their subjects|
Another dip into the parents’ tent for some fresh water and we met back up, and Stella and friend swam into a huge crowd for the end of Sleeping With Sirens. The next band on the stage right next to them were a pop punk band called Billy Talent, and I really liked them, too. They were out of Toronto, kind of reminded me of Green Day: pop punk, snotty, crowd-pleasing, and songs that each had their own thing going. I decided after this point to take in some of the other stages, now that I trusted the kids to not be stupid. Saw a band called Lionz of Zion that were too funky/fast to be true reggae, but not quite frenetic enough to be ska. I liked them-- they infused a level of funk that was worthy of being on a bill with George Clinton. Saw a truly oldschool hardcore band called No Bragging Rights that reminded me of Kenosha’s Pistofficer: passionate, political, and massively hardcore. I finally decided to get out of the sun and head to the amphitheater, where the large state was divided into two stages, so that there would be not a long wait between bands. Neither offering stood out for me (so I won’t name names), but it was nice to sit down in a real chair out of the sun, and hit my smartphone to see who else I might like to check out.
who ended their set with a middle finger salute) , I pulled them over to the stage where Bang was playing. They were ready to hit the road (hungry and probably a little sun-exhausted) but I wanted to check this out. Bang seemed almost out of place at this fest: first off, as I commented to the others with me near the stage, “Shit, these guys look like they’re my age!" But I was reminded of something Ted Jorin said the night before when I told him I was taking Stella to this, and that she enjoyed hardcore and punk: “That’s wonderful. The great thing about being into punk is that it doesn’t stop you from being into lots of other kinds of music,” and watching Bang and the Secret Stash drove this point home. Bang hits the stage with a rack of four guitars – the first of which is a lap steel and proceeds to squeeze some ferocious Chicago-style blues out of it, accompanied by his voice that sounds like an aging punk who listening to a lot of Tom Waits. He’s got that Waits-like phrasing, minus the gravely voice. And his band (well, rhythm section) was obviously a couple of pro-level vets who still loved to get down and dirty with some punk blues. He switches to another lap guitar tuned in a different key before standing up and picking up a beautiful Les Paul gold top to finish his set. The only bummer was the eight -- count ‘em eight-- bouncers in front of the stage (including the tallest guy for the middle, jesus h christ) who were there to protect the band from the couple of dozen of us who were tired, drained, and probably gentle enough not to smash a fly. And they’re all talking to each other, which was really distracting. Oh, for Pete’s sake. This wasn’t Chiodos or even The Amity Affliction. It was some 50 year old bluesman banging away on a six string lap -- et the hell out of the way for cryin’ out loud.
Anyway, I let the kids admit to being beat first, but I concurred. It had been a long day. We trudged out toward the exit, at which I witnessed the saddest part of the day:
list of bands that played on this stage. They probably didn't get paid much, and they probably played in front of similarly sized "crowds". Go see them sometime and support live music played by real musicians. That's my little lecture for today.
Still, we were tired but we were in the South Burbs, so we went to our (free!) parking place, cranked on the air conditioner, and went straight to my childhood pizza joint, Aurelio’s, who I’m glad to say still lives up to wonderful childhood/teenage memories of being some of the best damn pizza on the planet. Like damn good punk, a good pizza (made in an independent restaurant) always satisfies. I know Aurelio's is a chain, but the location we went to was the (almost) original Aurelio's that they carved out of the old Van Drunen Ford Body Shop in Homewood, Illinois. (The truly original Aurelio's two blocks away on Ridge Road, a tiny little place that had two tables and a carry-out station, has been gone since they opened the place we went to in 1976).
I’m just rather impressed with myself that not only did I last as long as the kids that day, I also found enough music that I truly enjoyed and I was also glad to see that there’s still a very active and enthusiastic market for this stuff. OK, I made it through! On to Riot Fest!